A Twyla Tharp Master Class on Themes, Variations and Allusions
In the middle of Beethoven’s “Diabelli Variations,” from 1823, the pianist’s left hand starts rocking up and down the keyboard in a pattern that sounds uncannily like boogie-woogie from the 1930s and ’40s. For a choreographer courageous enough to tackle that score, this is low-hanging fruit. It’s easy to be witty by having the dancers … Read more